When you're buying creative work that already exists — a logo, a manuscript, a piece of code, a song — work-for-hire is the wrong frame. You're not commissioning new work; you're transferring rights in something that's done. The right tool is a copyright assignment.
Who this pack is for
You're buying or selling rights in an existing copyrighted work. Maybe you're acquiring a logo, brand assets, or a domain along with a small business. Maybe you're a writer transferring a manuscript to a publisher. Maybe you're a developer being acquired and your code is moving to the buyer. Maybe you're an estate transferring a deceased artist's catalog. The work already exists; the question is who owns the copyright now and who will own it after the transaction. The federal Copyright Act (17 U.S.C. § 204) requires copyright transfers to be in writing and signed by the transferring party — verbal transfers and emails are unenforceable for this purpose.
When to use it
Sign at the moment of payment, just like a bill of sale. The assignment transfers ownership effective on the date both parties sign and the consideration is paid. For acquisitions, the assignment is one of several closing documents — alongside the asset purchase agreement, the bill of sale, and any trademark transfers. For freelance work that wasn't covered by a work-for-hire agreement, this is the cleanup tool: have the contractor execute an assignment for what they already produced. For copyright registrations, file a copy with the U.S. Copyright Office (a 'recordation' under 17 U.S.C. § 205) — recording isn't required for validity but provides public notice and priority over later conflicting transfers.
What it doesn't cover
This is a copyright assignment for a specific identified work or set of works. It does not transfer trademarks (those need their own USPTO assignment if registered), patents (USPTO assignment required), trade secrets, or contractual rights tied to the work. It does not handle works the assignor doesn't fully own — joint works, works subject to existing licenses, works with third-party material, works subject to a publisher's contract — without disclosure of those limitations. It does not transfer 'moral rights' in jurisdictions where those exist (VARA in the U.S., droit moral in France) without explicit waiver language. And it does not include a license-back to the assignor — once you assign, you're done; if you want to keep using the work, negotiate a license-back as part of the deal.
Common questions
Sources
Primary legal sources cited above. These link to free, public versions of the statutes, regulations, and case law referenced in this pack.
Pike provides plain-language legal information, not legal advice. State and local rules change. If money, custody, or your housing is on the line, talk to a licensed attorney or your local legal aid office.